Ditto, at DEMA this year there were a lot of after market platforms for the GoPro and the sad part is it's size is one of the problems in getting steady shots... Big heavy cameras are the most stable having mass in the water!
Ditto, at DEMA this year there were a lot of after market platforms for the GoPro and the sad part is it's size is one of the problems in getting steady shots... Big heavy cameras are the most stable having mass in the water!
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I am supporting this kick-starter project as a starting point to build some kind of rig that stabilizes the go pro: http://www.kickstarter.com/projects/...e-gopro-hero-3
I shot a thing in a pool recently that has a fair bit of image stabilization, but the footage with ripple and bubbles starts to reveal the slomotion plugin in an acid trippy way that I don't really like. What I did realize is that slow-mo, 60 FPS footage that is slowed down to 24 can minimize the shakes a bit. Have you guys had success with over cranking underwater?
Here's that video, some is 5D @ 24 frames, some is Gopro @ 60 FPS:
This was done really well! A new videocam I am getting next month will do 240 fps at 1920x1080p but will be for land primarily. The GoPro's sure are easier to use though. A lot of cinematic underwater guys slow their footage down for things like whales, as it helps smooth out the shakes.
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The 22fps was for a normal rate of 29fps not at 60. The compression maybe playing havoc? Try just slowing by 20% and see what happens?
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Still pretty good, but that is slowed by 55% plus, maybe 25% might get you what your looking for. Still like it better than full speed!
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Reed's Rod dive Tool Please help save the worlds Coral reefs! http://safemooringfoundation.org/