I notice that if I have a red filter in place, when the lights are turned on and something close is shot, the footage is blown out with red. If I aim away at the blue yonder, then since the lights aren't adding red, it looks better.

So what happens if you want to video something up close with the lights on, but can't flip the red out of the way? What if you have a blue filter over the external lights, and a red filter always in place? The idea being that you leave the red filte rin place always, whether shooting illuminated up close work or wide angle at a distance.

Light and Motion has such a system.....what do you all think?